![]() And consider, also, that painting programs like Painter and Studio Artist are being used for rotoscoping in commercial movie releases ( viz. Witness, for example, the digital abstract expressionism of Jean Detheux at or the sublime animation of Gitanjali Rao ( ). And, in many cases, "natural media" tools (if you can refer to synthesized chemicals as being any more natural than digital media) have been up until recently far superior to any of the digital tools available.īut with the availability of two significant digital painting tools on the market- Corel Painter and Synthetik Studio Artist-artists around the world have begun coming on board. And the same is true to a certain extent with drawing and painting, although there seems to be more of a lag in adoption of digital technologies in those areas.Īnd the reason for this lag is, to some degree, that while visual arts like video editing and motion graphics practically mandate a digital approach these days, drawing and painting have gotten along just fine without any digital technologies for thousands of years. Video editing, motion graphics, design, animation, photography: All have followed the trend in the professional world toward desktop- and workstation-based production. In media labs and classrooms around the country, the visual arts are increasingly going digital.
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